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All sounds (including percussion) are from the ARP Odyssey library. 'Ramp' shows two patches with the VCF modulated by velocity and 'Herbify' is a single patch with subtle velocity to filter modulation.
ARP Odyssey For Kontakt 4 & 5
The History
There were three main versions of the Odyssey. The first white-faced models were manufactured from 1972, then the black and gold face from 1974. The model that we've sampled is a black and orange faced 2821 from about 1979.
This has the advantage of more stable oscillators - though nothing like the stability that we take for granted in modern gear. The Odyssey has attracted an eclectic mix of players: Herbie Hancock, Chick Corea, George Duke, Portishead, Pink Floyd, Kraftwerk, Ultravox, Gary Numan and Abba!
The Process
Throughout the entire sampling process, the aim has been to be faithful to the sound at source. No filtering or effects processing has been applied within Kontakt. Where there is filter/frequency modulation, it has been created on the Odyssey and then recorded in samples long enough to retain the movement. There's also a selection of 'Multi VCF' patches, where different filter cutoff settings have been sampled and mapped to different velocities. In total, there are 101 patches, made from over 1,400 samples.
The Details
Main Kontakt Panel
The Odyssey was recorded through an Inward Connections Vac Rac 4000 pre-amp into an RME Fireface 800 @ 44.1KHz/24 Bit.
ARP Odyssey For Ableton Live
The History
There were three main versions of the Odyssey. The first white-faced models were manufactured from 1972, then the black and gold face from 1974. The model that we've sampled is a black and orange faced 2821 from about 1979.
This has the advantage of more stable oscillators - though nothing like the stability that we take for granted in modern gear. The Odyssey has attracted an eclectic mix of players: Herbie Hancock, Chick Corea, George Duke, Portishead, Pink Floyd, Kraftwerk, Ultravox, Gary Numan and Abba!
The Process
Throughout the entire sampling process, the aim has been to be faithful to the sound at source. No filtering or effects processing has been applied within Live. Where there is filter/frequency modulation, it has been created on the Odyssey and then recorded in samples long enough to retain the movement. There's also a selection of 'Multi VCF' patches, where different filter cutoff settings have been sampled and mapped to different velocities. In total, there are 101 patches, made from over 1,400 samples.
The Details
Macro Controls
The Odyssey was recorded through an Inward Connections Vac Rac 4000 pre-amp into an RME Fireface 800 @ 44.1KHz/24 Bit.
ARP Odyssey For Logic Pro EXS24
The History
There were three main versions of the Odyssey. The first white-faced models were manufactured from 1972, then the black and gold face from 1974. The model that we've sampled is a black and orange faced 2821 from about 1979.
This has the advantage of more stable oscillators - though nothing like the stability that we take for granted in modern gear. The Odyssey has attracted an eclectic mix of players: Herbie Hancock, Chick Corea, George Duke, Portishead, Pink Floyd, Kraftwerk, Ultravox, Gary Numan and Abba!
The Process
Throughout the entire sampling process, the aim has been to be faithful to the sound at source. No filtering or effects processing has been applied within the EXS24. Where there is filter/frequency modulation, it has been created on the Odyssey and then recorded in samples long enough to retain the movement. There's also a selection of 'Multi VCF' patches, where different filter cutoff settings have been sampled and mapped to different velocities. In total, there are 101 patches, made from over 1,400 samples.
The Details
The Odyssey was recorded through an Inward Connections Vac Rac 4000 pre-amp into an RME Fireface 800 @ 44.1KHz/24 Bit.
ARP Odyssey For Reason
The History
There were three main versions of the Odyssey. The first white-faced models were manufactured from 1972, then the black and gold face from 1974. The model that we've sampled is a black and orange faced 2821 from about 1979.
This has the advantage of more stable oscillators - though nothing like the stability that we take for granted in modern gear. The Odyssey has attracted an eclectic mix of players: Herbie Hancock, Chick Corea, George Duke, Portishead, Pink Floyd, Kraftwerk, Ultravox, Gary Numan and Abba!
The Process
Throughout the entire sampling process, the aim has been to be faithful to the sound at source. No filtering or effects processing has been applied within Reason. Where there is filter/frequency modulation, it has been created on the Odyssey and then recorded in samples long enough to retain the movement. There's also a selection of 'Multi VCF' patches, where different filter cutoff settings have been sampled and mapped to different velocities. In total, there are 101 patches for NN-XT, made from over 1,400 samples.
The Details
The Odyssey was recorded through an Inward Connections Vac Rac 4000 pre-amp into an RME Fireface 800 @ 44.1KHz/24 Bit.